I was commissioned by National Portrait Gallery to produce a video demonstrating my practice with the wet collodion and albumen printing processes as part of the Victorian Giants exhibition.
The commission was on display at the gallery until the 20th of May 2018. The video was done by Mathew Lew and with support from Gerlind Lorch, Georgia Atienza, Andrea Easey and Sabina Jaskot-Gill.
©National Portrait Gallery
From Tuesday 23rd of January until the end of March, the Photography Archive and Research Centre of the University of the Arts will be displaying the outcome of the commission they awarded me in April 2017.
This participatory art project is based on a pop-up darkroom and portrait studio to create a series of tintype portraits that are part memorial to, and part celebration of its unique character.
PARC has also published the work in the Field Study journal. Both the exhibition and the publication will be part of the UAL Research Fortnight 2018.
From October 2017 until January 2018, I have been running a series of workshops for families, primary and secondary schools and teachers at the Whitechapel Gallery. This is part of a residency scheme with the Schools and Family Programme at the gallery.
The residency with the Schools Programme involved the installation of a pop up darkroom and a temporary display at the Creative Studio Floor while other gallery floors where also transformed during the Family Days.
This month I have been commissioned by The Photographers’ Gallery to set up a pop up CameraScanner studio for the HYPERANALOGUE weekend. My Temporary Settlement series was on display at the Gallery during the weekend too.
I also have been teaching a Photographic Processes course at the Victoria and Albert Museum and a salt printing course at Photofusion.
Documentation of the CameraScanner studio by Tim Bowditch. All other images ©Almudena Romero