This July Just I went on an inspiring residency at Vanessa Cardui Azienda Agricola in Sicily , an experience that was equal parts grounding and creatively energising. One of the highlights was giving a talk at Museo Naturalistico Francesco Minà Palumbo, where I had the chance to share my work and connect with an engaged local community in a beautiful historic setting. Grateful for the conversations, collaborations, and the generous spirit of everyone involved. Looking forward to returning next year! 🇮🇹✨

I’m very happy to share that my work is featured in Michel Poivert’s latest book Photographie contemporaine, Le Guide, published by Éditions Flammarion, as well as in Horsd’œuvre #52 by Interface, in an article written by Cécile Desbaudard.

I’m pleased to share that I’ve been selected as this month’s featured artist in The Blank Contemporary Art newsletter. See the feature via their online archive, and in Lungarno Newspaper. I have also stated a residency at Enso Algarve (2- 13th June). 

Feature in The Wick championed by Senior Curator of Photography at the Victoria and Albert Museum, Martin Barnes.  Read the full article here.

I am happy to go back to Photo London for the 4th time on this occasion with the Sarabande Foundation. My artworks were featured in some media, including Giornale Dell’Arte, Harper’s Bazaar and Studio Show. 

I am excited to be part of Omnímoda. La fotografía como display  exhibition at the new MuCAC Museum in Malaga. The show will run until October 2025. 

I am excited to share my first solo show in Italy at Ipercubo Gallery in Milan. The show runs during March. 

I am very pleased to be part of Flora—Flowers in Contemporary Art and Culture, which runs from February to September 2025 at the Saatchi Gallery. In this exhibition, the Museum of Plant Art showcases a captivating series of black-and-white photographs UV-printed directly onto glass and acrylic plates infused with nano-crystalline iridescent vegetal cellulose. These innovative pieces were recently shown at the Maison Européenne de la Photographie (MEP).

I am particularly grateful to the University of Cambridge and its spin-off company, Sparxell, for generously providing these exceptional plates. The pieces are now on display in Room 8, dedicated to the cross-over of flowers in art and science projects.

This February I took part in Arte Fiera Bologna with IPERCUBO Gallery. My work was featured in Art Tribune and other media outlets. 

I am delighted to share that 11 of my artworks have been added to Christian Levett’s personal collection as well as the FAMM Museum.